In Byron’s poem, Childe Harold’s Pilgrimage, the first two cantos of which were published in 1812, Byron does something very similar to his teasing in Lara, A Tale, tactfully using language to coax his reader into complicity with actions considered immoral and deviant in the time that the poem was written. In canto I, Childe […]
Tag: Lord Byron
Poet/Reader Intimacy in Lord Byron’s ‘Lara, A Tale’
T.S. Eliot once wrote that ‘Byron added nothing to the language […] and developed nothing in the meaning, of individual words’. Even after putting my love for Lord Byron aside, I’m not sure that I agree. Lord Byron’s poetry is a poetry of suggestion and of withholding, of teasing and withdrawing. Particularly in his poems […]