Poet/Reader Intimacy in Lord Byron’s ‘Childe Harold’s Pilgrimage’

In Byron’s poem, Childe Harold’s Pilgrimage, the first two cantos of which were published in 1812, Byron does something very similar to his teasing in Lara, A Tale, tactfully using language to coax his reader into complicity with actions considered immoral and deviant in the time that the poem was written. In canto I, Childe […]

Poet/Reader Intimacy in Lord Byron’s ‘Lara, A Tale’

T.S. Eliot once wrote that ‘Byron added nothing to the language […] and developed nothing in the meaning, of individual words’. Even after putting my love for Lord Byron aside, I’m not sure that I agree. Lord Byron’s poetry is a poetry of suggestion and of withholding, of teasing and withdrawing. Particularly in his poems […]